The Hunchback of Notre Dame (June 21, 1996)

This is another underrated Disney film that is unusually dark covering topics such as lust, infanticide, and sinful desires, and serious with stunning panoramic views of Paris from on high. It tells the story of Quasimodo, a deformed man who was taken in by Frollo, a selfish and sinister priest but who treats him with disdain as he deems him a monster. Frollo is easily one of the worst Disney villains, making a mockery of the priest hood with his corrupt and unforgiving ways. He succumbs to the wiles of Esmerelda, a young gypsy girl, and declares either she becomes his or she will burn. He sings this in the song, “Hellfire” which is preceded by and contrasted with “Heaven’s Light” sung by Quasimodo about Esmeralda as well but as a pure and hopeless romantic. Quasimodo longs to be among the people of Paris. It has been distilled within him by Frollo that no one could ever love him. But still he dreams, during the song “Out There.” He wonders why must he be hated? And Esmeralda similarly intones in “God Help the Outcasts” why must people hate those who are different through no fault of their own. It is a sentiment that resonates even today- perhaps more so. She pleas to God to help the outcasts and her people, save them from prosecution. It is a deep sentiment and is the main theme of the movie. In a cruel twist of fate, Quasimodo does not get the girl he longs for. Instead Esmerelda falls in love with Phoebus, the handsome captain of the guard. Normally this would be an unsatisfying conclusion, but I actually like it. Quasimodo fell in love with the first girl who ever shown him kindness. She never saw him romantically and while, it would have been nice if she had ended up with someone less handsome, I cannot deny the Phoebus was a better match for her. Quasimodo is too sheltered and kind- he deserves someone, frankly, better than she. But, before he can love someone else, he must first learn to love himself. It is a bold choice, but I admire Disney for making it. Esmerelda, while kind, is still a thief, though one out of necessity. Phoebus, on the other hand, is an upstanding captain who is ordered by Frollo to capture or kill her. But he is honorable and refuses. He does not completely follow orders, possessing a dark and insolent streak of his own. They make a great couple. Moving on to Frollo. Some Catholics critiqued the depiction of such a corrupted man of God, but I find it refreshing. No human is perfect and blameless, and that includes people of the church. The movie does juxtapose Frollo with a kind arch deacon who upholds the rule of sanctuary for all who seek it within the walls of the church. The last characters of note are the three gargoyles who are Quasimodo’s only friends. They support him in his dreams and provide the comic relief. They do not overstay their welcome and a great addition to the cast. The take advantage of the unique setting of Notre Dame and are creative choices for companions but are also the only friends Quasimodo would have been afforded. One final note, the voice cast is great. They perform their lines perfectly and really bring their characters to life (particularly Frollo!) Overall, The Hunchback of Notre Dame is a must watch with its great songs and mature themes.

Final Rating: 9.5/10